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Beta 91A Kick Drum Microphone |
Beta 91A Kick Drum Microphone
Best suited to:
Bass Drum
Also great for:
Piano,
Choir & Orchestra
- Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound
- Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter
- Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments
- Two-position contour switch to maximize attack and clarity depending on application – select the flat response setting for natural sound in most applications or the “low-mid scoop” setting for a strong low frequency “punch” with plenty of higher frequency attack
- Requires no external mounting
Beta 91A Applications
The primary use of the Beta 91A is kick drums. It can also be used for other low frequency applications including piano.
Beta 91A Characteristics
The Beta 91A is a half cardioid condenser boundary microphone. You can expect a strong low end response as it is specifically tailored for bass frequency applications, and superior attack and punch for studio quality sound even at extremely high sound pressure levels (SPL).
Additional Shure Kick Drum Microphones
The Beta 52A is a super cardioid microphone and is also suited to kick drums. With the Beta 52A you can expect even more low end.
- Transducer Type: Condenser
- Polar Pattern: Halfcardioid
- Frequency Response: 20 Hz - 20 kHz
- Sensitivity (1 kHz): 48,5 dBV/Pa / 3,8 mV/Pa
- Equivalent Selfnoise:
25,5 dB(A)
- Sound Pressure:
155 dB
- Weight: 470 g
- Frequency Repsonse Curve:
- Storage bag (Part No: 95A2314)