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Beta 27 Instrument Microphone |
Beta 27 Instrument Microphone
Read moreGo to the glossary condenserCondenser microphones are more sensitive, give a smooth, natural sound and need to be powered.Read moreGo to the glossary mic designed for professional sound reinforcement.
Best suited to:
Electric Guitar,
Hihat, Overhead,
Brass,
Piano
Also great for:
Vocals,
Bass Drum
- Flat Frequency response and low self noise for natural reproduction
- Supercardioid polar pattern for high gain-before-feedback and minimizes bleed from off axis sound sources
- Tailored for superior transient response
- Low mass, externally-biased, ultra-thin 24 karat gold-layered Mylar diaphragm
- 3 position switchable low-frequency filter
- -15dB switchable attenuator
- Internal pop filter with three separate mesh layers
Beta 27 Applications
The Beta 27 is ideal for a wide variety of acoustic, wind and electric instruments, such as guitar and bass amplifiers, drum, percussion and piano. The tight supercardioid polar pattern ensures high gain-before-feedback and provides maximum isolation from other sound sources making it perfect for live stage applications.
Beta 27 sound Characteristics
The Beta 27 is tailored for superior transient response from a low-mass, externally-biased ultra-thin Mylar diaphragm. It has a flat, neutral frequency response for natural reproduction.
Beta 27 Features
The Beta 27 uses premium electronic components and gold-plated internal and external connectors. It includes a 3-position switchable low-frequency filter which helps reduce unwanted background noise or counteract the proximity effect and the -15 db switchable attenuator handles extremely high SPLs with ease. The internal pop filter with three separate mesh layers reduces wind and breath noise
- Transducer Type: Condenser
- Polar Pattern: Supercardioid
- Frequency Response: 20 Hz - 20 kHz
- Sensitivity (1 kHz): -37 dBV/Pa / 14,1 mV/Pa
- Equivalent Selfnoise:
8,5 dB
- Sound Pressure:
- Pad off: 140 dB
- Pad on: 154 dB
- Weight: 428 g
- Frequency Repsonse Curve:
